SO-CALLED “SOUTHERN ENGLAND-ISH”

PROSODY

I invite you to listen to these two audio samples, before we break down some of the prosodic features they demonstrate:

Sample 1

Sample 2

RHYTHM + TEMPO

  • HURRY UP AND WAIT: The rhythm of this accent has a tendency to move between fast speech – when speaker is confident/has a hold of their thought – to slow speech or pauses – when thinking/searching for a word. (This slowing can also be used for emphasis – see the STRESS section below.)

There isn’t, therefore, a consistent tempo to the speech. Rather, while speakers often do speak quite quickly, their tempo varies based on the aforementioned rhythm.

** I invite you to listen again to Samples 1 and 2 (above)! **

Further samples:

  • TYPEWRITER: There can be a percussive element to the speech, with speakers articulating their consonants rather crisply. Think of a typewriter! (And to tie in the ‘hurry up and wait’ rhythmic element – think of someone clacking away on a typewriter, pausing briefly to gather their next thought or read over their work, and then clacking on).

** I invite you to listen again to Samples 1 and 2 (above)! **

Further samples:

PITCH

  • HILLS AND PLATEAUS: Thoughts/phrases in this accent on a ‘hill’ – a rising tone – or a ‘plateau’ – a tone not higher or lower than the one or two preceding it. To make it simpler; I have rarely observed a downward inflection at the end of thoughts or phrases. Pitch tends to drop in the middle of a thought and either climb or plateau toward the end.

** I invite you to listen again to Samples 1 and 2 (above)! **

Further samples:

-pitch chart of the above audio clip (from 0:02 seconds):

STRESS

Notice how our friend uses volume and length to place stress on the words ‘languages‘ and ‘huge‘ in the following clip:

Likewise, in this next clip, our friend uses volume and length to emphasize the word ‘got‘: